![]() LowEnhance Overdrive and Soft Clipping Module. In order to keep things simple, only fast & slow attack and release times are built in, which should cover most of your needs, but in addition to that, the LowEnhance features tempo-sync functionality, which sets the release time to 1/8th noters, 1/4 notes, etc., based on the project’s tempo. Its automatic gain makeup functionality works extremely well and lets you to dial in the needed compression without having to worry about the output volume, and contrary to other compressors, it doesn’t only take into account the threshold and ratio in order to calculate the makeup, but also attack and release times. Trap is all about the low-end, and that is where LowEnhance excels: Add snap and punch with compression, and then enhance the signal with some overdrive or soft clipping to achieve the desired feel. The THR LowEnhance compressor was designed specifically to process the low-end of your tracks and mixes with the idea of making the whole process as simple as possible, helping you work at a faster pace without having to fiddle around with dozens of plugin parameters. ![]() THR LowEnhance Specifically designed to process low-end quickly! I’m starting off with the paid plugins, but I honestly think that you should give the free ones a try first, especially considering that they sound fantastic and should get you almost identical results, but for free. Let’s get started! Best Trap VST Plug-ins I would recommend checking those out before spending your money. Included are some presets that run through the capabilities of the plug-in.Note: Paid plugins aren’t necessarily better than free ones and, in fact, there are a couple synths I listed in the free section that will blow some paid ones out of the water. This plug-in has the capability to easily reproduce this mod, by adjusting only a few parameters. Many users of the Boss OC-2 pedal seek to add a hardware modification that disables the output filter and dynamics sections in order to produce a more synth-like tone.“Listen” radio buttons allow the user to tap the audio at any stage to hear what’s happening behind the scenes, and bypass certain sections if desired.Includes a “Scope Tuning” control to affect the zoom ratio. A scope displays both the key signal and the output signal, so the user can see how the plug-in is operating, and help identify what controls need to be adjusted in order to track more accurately or produce the intended sound.A DC-offset switch corrects the input signal to improve tracking on rectified or offset signals.In phase-multiplier mode, the full dynamics of the key signal are retained. In additive mode, dynamics for the oscillators can be controlled either by a noise gate or an envelope follower, both keyed off the input signal. ![]() The additive mode simply mixes in the octave down signals (via user-adjustable levels and wet/dry balance), whereas the phase-multiplier mode flips the phase of the key signal, following the state of the selected oscillator.
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